Guitar Tone Settings Database

By employing a good, basic ABY box with a buffer to properly drive two outputs—like the Lehle Dual SGoS shown here—you can put a simple mono digital delay on one amp as an effective tone fattener.No matter what style we play or whether we use a clean, crunchy, fuzzy or heavily distorted tone, most of us guitarists crave a sound that’s balanced and full. But what about those scenarios when your standard “full tone” isn’t big enough? Perhaps there are songs where you just need to get truly massive in the choruses to set them apart from the verses. Perhaps you play in a guitar/bass/drums trio and you need to fill up quite a bit of space sonically.

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It might be that you wish your acoustic or electric guitar didn’t sound so small, mono, and pinpointed in your in-ear monitors when playing live. Whatever the case may be, I’d like to share some strategic ways to fatten, thicken, and widen your guitar signal.I’ve previously touched on both the virtues of buffering your signal when appropriate and the benefits of a clean, properly wired rig. It should go without saying, but clean wiring will help ensure that you are starting with a robust, core tone that’s free of loss due to capacitance and free of ground loops or extraneous noise. So, with that out of the way, we can get to the fun stuff.Choruses and harmonizers.

When chorus units came on the market in the ’70s, they found favor by providing guitarists with a quick and easy way to make rigs sound thicker, while also helping to create a stereo setup (when desired) by running the output of the chorus to two amplifiers. The initial aim of choruses was to create an illusion of more than one guitar playing—hence the “chorus” moniker—and that was accomplished by delaying and modulating the core guitar signal and then blending in that modulated signal with the core tone. Notable guitarists in trios, such as Andy Summers and Alex Lifeson, have used stereo chorus units to great effect for thickening and widening their tones to fill up sonic space.Harmonizers came on the scene in the late ’70s, and some guitarists used them to create dense harmony lines with multiple intervals. (Trevor Rabin’s solo on the Yes classic “Owner of a Lonely Heart” is a good example.) Other players discovered that a harmonizer could be used to create a sort of “still” chorus effect—accomplished by slightly detuning the core guitar tone by generally +/- 9 cents or less. This technique can sound fat and like a subtle chorus in mono, but in stereo, it can sound positively huge, which is why it became a staple sound throughout the ’80s and into the ’90s. (Eddie Van Halen relied heavily on this sound for over a decade.).

ELECTRIC GUITAR WEEK: Don’t be afraid of your guitar’s tone and volume knobs; they might be the most fantastic, expressive secret weapon you can find for totally revolutionising your tone!Tone starts in your fingers, but before you look to an amp and effects to change your sound, you should be realising the potential of your guitar’s onboard controls.Playing on 10 is a rock cliche we want you to forget here. Many of us set our volume and tone controls in one position and leave them there, tweaking our pedals and amp dials to shape EQ and tone. But that's certainly not the only way to effectively shape your sound.As many great players have proved, there are huge possibilities right there on the guitar for your fingers to control quickly and efficientlyElectric Guitar Week is brought to you in association with. Check out the for more tips and tutorials. Prev Page 1 of 5 Next Prev Page 1 of 5 Next 1. Using your volume control as a boost.

We all know what the volume knob does, right? It changes the level of our guitar’s volume output. But it’s also a handy dynamic tool we can call upon mid-song.Why use a volume pedal when bringing up your volume for a solo can has the same effect? You need to start at the end, though; turn up your guitar volume to 10, and your amp to the point where it starts to overdrive your tone.Now start dialling the guitar’s volume back and your tone should start to clean up as well as becoming quieter. Turning it up again gives you some boost to call on as and when the song requires it.It’s also worth noting that your guitar’s volume is your primary control over the signal going into your pedals, too. So the same principle applies for altering the gain for and - dialling them back for milder tonality as required.By using your volume, you can get more versatility out of the pedals you have, and perhaps need less of them as a result. But remember, most guitars suffer a drop in treble when rolling off the volume.

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Some may like it woolly but you may want to try a retrofit modification called a. Prev Page 2 of 5 Next Prev Page 2 of 5 Next 2.

Free the tone. A lot of players get off on the wrong foot with their tone control. We’ll set our amp’s controls based on our guitars’ tone controls being set to 10, but that doesn’t offer any of the leeway we discovered with the volume controlInstead, dial the tone control back to six and tweak your amp settings after that. This will probably mean adding more mid, treble and gain than usual.

This is another way of giving yourself an onboard because you now have more control, especially for lead parts.Turn up the tone for more of a cutting and gainful tone to help your solo shine live. Roll back down for your rhythms, and balance with the volume for bite as you see fit. Prev Page 3 of 5 Next Prev Page 3 of 5 Next 3. A biting tone from turning your treble up is all very well but there’s a line where that can cross over into shrill.is a fan of using the tone control’s capabilities with a ’s neck and bridge pickups to enter warmer climes, and he initially learned that from watching Mr Clapton.He’s even shown that you can take the volume down and turn the tone back up to move into country tones - not bad for a humbucker! Prev Page 4 of 5 Next Prev Page 4 of 5 Next 4. Making a single-coil bridge pickup sound like a humbucker. Okay, you need some additional overdrive for this one, but your guitar’s tone control is vital here.First, add lashings of overdrive to your sound via a decent, mid-rich pedal.

Don’t be tempted to turn the treble down on your amp or pedals - set it at around six to eight, no lower.Now keep the guitar’s volume up full, but knock the bridge tone control down to about half or lower. Now it should sound more like a humbucker's character.Electric Guitar Week is brought to you in association with Fender. Check out the Electric Guitar Week hub page for more tips and tutorials. Prev Page 5 of 5 Next Prev Page 5 of 5 Next.